Oblivion (1994) – It’s an overacted cheeseball, sure, but
with an all-star B-movie cast and a script from Peter David that knows exactly
what it has to work with, it’s a reasonably good time nonetheless. 6
Wednesday, March 20, 2013
Saturday, March 16, 2013
Skyfall
Skyfall (2012) – The action is satisfactory, but the film stands
out in that does an impressive job addressing both its aging characters and its
aging franchise (and Bardem is one of the better Bond villains in quite a
while); Skyfall is overlong, the
dialogue isn’t always great, and everything moves along rather tidily, but even
so, this is the best Bond since GoldenEye. 7
Wednesday, March 13, 2013
Swamp Thing
Swamp Thing (1982) – The dialogue is bad, maybe even on
purpose, and everything else – the script, the action, the editing, the
creature(s) – is B-movie cheese all the way; and yet it’s not entertainingly bad, as Craven bores with a lack of suspense, atmosphere, and pacing; in short,
the film doesn’t have much going for it beyond Barbeau’s bouncing bosoms and
the scene-stealing Reggie Batts (in his only film appearance). 4
Thursday, March 7, 2013
Hero at Large
Hero at Large (1980) – It’s interesting in that it’s the earnestly
optimistic sire of modern-day thematic opposites like Kick-Ass, and it’s passably entertaining for the most part, but the
chick-flick romance is eye-rolling and the final act isn’t very satisfying;
bonus points, though, for quite possibly the worst superhero costume ever. 5
Monday, March 4, 2013
Small Soldiers
Small Soldiers (1998) – The effects have held up impressively well, it’s got quite a good voice cast, and while the script is heavy-handed in all areas and not a little bit dumb, there are some strong story elements and themes; it’s passable as is, but one wonders if it couldn’t have worked much better if written for an adult audience (it’s not the kiddie film it looks like anyway). 6
Friday, March 1, 2013
Flight
Flight (2012) – Some aspects are very well done, but the script
is corny, contrived, and clichéd, and the film could scarcely be less subtle if
it had been created for viewing at AA meetings (even the soundtrack is a brick
to the head); Denzel, not surprisingly, does a good job holding this overlong
and disappointing film together. 5
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