A Simple Plan (1998) – This sort of slow-building, gradually
escalating look at human nature, greed, and rationalization has been done
before, but this is an engrossing, suspenseful film with well-developed
characters and great performances (especially Thornton) that put it above others of its ilk; it can
get a bit implausible at times, but even so, this is easily one of Raimi’s most
restrained films. 7
Friday, August 29, 2014
Tuesday, August 26, 2014
The Amazing Spider-Man 2
The Amazing Spider-Man 2 (2014) –
It does some things well, but this is a bloated, unfocused, lazily plotted affair
that retreads way too much ground from the Raimi films; it’s got too many
subplots (none of which are compelling), a completely tiresome romantic arc, a
preponderance of lame banter and on-the-nose dialogue, and villains that would
be at home in a Schumacher Batman film
(Paul Giamatti, what are you doing with your life?). 5
Friday, August 22, 2014
Sabotage (2014)
Sabotage (2014) – This is an
atypical Schwarzenegger film—gritty, having no real good guys, and
unnecessarily vulgar and gory (the cartel torture may be realistic, but it also
feels exploitative to an extent); what nevertheless might have been a good film
with an engaging mystery is brought down by the sheer dumbness of its plot (a
big plot hole makes it go, and the climax is completely preposterous). 5
Tuesday, August 19, 2014
Revenge of the Sith
Revenge of the Sith (2005) – Thus the neutering of Vader
concludes: this is a big enough story that even this barely competent,
potential-squandering execution is going to be worthwhile, but all the fancy
lightsaber duels in the world can’t make up for bad storytelling (the last
thirty minutes make for an utterly feeble, intelligence-insulting transition to
the classic trilogy); the dialogue is still awful, and except for McDiarmid and
McGregor, it’s wooden acting across the board again; the stupidity is less
flagrant and Christiansen is somewhat less terrible, but never for one minute will
I believe that this clueless, whiny kid is Darth Vader. 5
Friday, August 15, 2014
Attack of the Clones
Attack of the Clones (2002) – The uncompelling cartoon conflict
continues, and strong art direction and 90% less Jar Jar are hardly enough for
a substantial improvement as once again, Lucas’s writing and directing are the
root of nearly all the film’s problems: it’s badly paced, with another poorly
handled villain (he first shows at 1:16!), and McGregor’s about the only one
who can deliver his lines convincingly—Christiansen’s the worst, largely
because of his awful creepy stalker dialogue, which is just the icing on the
cake of fourth-grader scripting that permeates every scene in this film, and
which is only a portion of what could be the most forced and painful romance
ever filmed. 5
Tuesday, August 12, 2014
The Phantom Menace
The Phantom Menace (1999) – It’s got some strengths—great
new music from Williams, Darth Maul (the five minutes we get of him, anyway),
fantastic art direction, and some cool (if badly choreographed) lightsaber
action—but its list of horrendously awful elements is astoundingly long: these
include Jar Jar, the kid, the midi-chlorians and the virgin birth, the
inclusion of the droids, the bizarre ethnic stereotypes, and the wall-to-wall
atrocious dialogue; nor have George’s vaunted CGI effects aged well; it’s bad
enough that the film is a dumbed-down, poorly structured, uninvolving,
eye-roll-inducing cartoon for small children, but it’s also an indelible stain
on a once-proud franchise. 4
Friday, August 8, 2014
Return of the Jedi
Return of the Jedi* (1983) – It introduces lots more iconic creatures
(yes, that includes the stormtrooper-eating Ewoks)—not to mention an iconic
bikini—and it’s the most technically impressive of the three (which is really
saying something), although it’s somewhat less ambitious than its predecessor
in terms of storytelling and it’s prone to goofiness (not just where the Ewoks
are concerned, although the Endor scenes are comparatively weak); but while it’s
the most uneven film in the trilogy, it completes the important character arcs
in a very satisfying manner and successfully concludes what is for my money
probably the all-around greatest film trilogy ever. 8
*Original theatrical version
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